The Language of Light

The Language of Light

The Language of Light

It’s Saturday, not Sunday and another installment. Tomorrow is a travel day and, incidentally, football playoff day – the extended end of a year and the beginning of a new one. Last fall, I had the opportunity to submit photographs to a selection competition for an exhibit. So, shallowing my ego and pride, I went through files and files of photographs and made selections of those I thought worthy. Deciding I needed an independent voice, I consulted my wife and asked her to go through the photos I had thought worthy and provide her impression (believe me, she is an independent voice). Between the two of us, 30 photographs were selected for submission: five photographs each in six categories of different perspective and content: In Nature, The Built World, The Human Experience, In Detail, Creative Angel, and Global View. Those who dabble in any type art usually view themselves in worse light than others – we are are our own harshest critics.

I anxiously awaited the verdict. When an email arrived in November announcing the selections, I was excited and hesitant; acceptance would validate a level of performance; the opposite, ego smashing rejection (or so one would think). Submitting any artistic product to unknown others takes a level of risk. Gathering sufficient fortitude to expose oneself is a hurdle in and of itself. I emailed the link to my wife and then opened the link with expectations of submitted demise. I was shocked. With expectations similar to checking the cut-list for sports tryouts, I scanned the list for my name. I was shocked and surprised. I found my name; I had succeeded in the endeavor. A total of almost 500 photos submitted by various photographers, 30 of those I had submitted (the maxim by allowed by each person). I checked the various categories and found that 19 had my name attached – I was elated, and nervous. Now, the public would render their decisions on the work I submitted, had accepted, and now presented for their evaluation. Even though I had a number of photos accepted, I am humbled and at the same time afraid of continuing the currently achieved level and, as one would expect, elevating that level to a new standard.

Did I win? No, I was fortunate to have submitted works that struck the emotional and technical strings of those making the selections. Each person who submitted experienced the same emotions and expectation of possible rejection as I. Each person worked just as hard to find their best work, make selections, and submit themselves into the arena of potential ego-dashing rejection. To the others who had photographs accepted my congratulations. To those who did not, my congratulations as well for crossing the threshold, and although perhaps not successful this time, have succeeded in putting themselves and their egos at a certain level of personal and emotional risk.

I am cautiously proud of this accomplishment. Now on to the voice of others who will judge outside the arena of Acceptance Committee eyes. The above montage contains all of the photos submitted; some have been posted here, many have not and may be in the future. If you are in the area, visit the exhibit and enjoy the work of all who were fortunate to have been selected. Photos are exhibited at Salt Lake County Libraries from February through April through the efforts of the Wasatch Camera Club.

2014-01-17_12-43-47

2014 Goal

Double Arch Composite

Double Arch Composite

Much of learning about the craft of photography is placing one’s work and artistic impressions in front of others to view and for those who choose to view the photos and/or artistic impressions to, hopefully, provide comment. During the next year, I have a goal of posting a new photo, commentary, or something that I find or have learned that may be useful, each week on Sunday. This goal has two has two components: one, it forces me to provide a new photo or post at least once a week, which means taking, reviewing and editing more photographs, and continuing to learn and provide better visual content (you’ll just have to accept the level of text and writing as it is). On occasion, I may have a specific task to find and record a specific type of photograph or editing process for posting.

The above photo is a composite. I seem to have an interest, or at least be captivated by the creation of composites by various photographers/graphic artists. This is, I believe, in keeping with the idea that “photograph are not taken, they are made” (paraphrase Ansel Adams). Photographers, I believe, envision a certain scene or outcome for their work. Each person sees and remembers scenes and circumstances differently, which contributes to the rich output and vision of photographers. Consequently, even though the initial photograph was fairly plain, this composite is how I envisioned the scene and as it developed in my mind. This took a few months. The initial photograph provided a bland sky, no stars, no moon, and no clouds. A battery-powered torch was used to light the rocks, but in doing so, provided a stark light that was uncomfortable, slightly visible, and did not contribute to the overall scene.

The composite was made up of:

  • The original Double Arch photograph, (Arches National Park)
  • Moon: taken with a Nikon D50 mounted on a telescope
  • Fire: from flame and fire files found on the internet
  • The Sky & Clouds: taken during the early stages of a storm in Mexico City
  • The Stars: created with a custom brush made in Photoshop (this is one of the things I am learning to do and just happens to be my first attempt at creating stars in this manner)
  • All other components and editing were done in Lightroom and Photoshop.

I look forward to the year and being better in the end than I was in at the beginning….. Happy New Year.

Digimarc